vitae Tom Krey
1947
born in Hohenstein-Ernstthal and bred in Garmisch-Partenkirchen
1968
spent six months in Paris and after an impressing visit in Louvre he began his training in painting
from 1969
moved to Munich and had an education with recognized impressionists
My numerous journeys by car to all European countries and also my journeys by boat, even as a skipper in the Mediterranean and Caribbean Sea enriched my whole life and influence my work
My numerous journeys by car to all European countries and also my journeys by boat, even as a skipper in the Mediterranean and Caribbean Sea enriched my whole life and influence my work
1983
Marriage
Four years he studied at Axel-Andersson-Akademie Hamburg and attended a seminar at monastery Steinfeld
Four years he studied at Axel-Andersson-Akademie Hamburg and attended a seminar at monastery Steinfeld
1991
Birth of my daughter
1993
my family and I moved to Mechernich, Eifel. There I built a studio and since then I work as a freelance painter
My development led me from the Impressionismus across the Pointilismus to the Neo-Impressionismus and after this I created my own palette knife technique, named by myself “Sectorismus”. A period of abstract works followed
My development led me from the Impressionismus across the Pointilismus to the Neo-Impressionismus and after this I created my own palette knife technique, named by myself “Sectorismus”. A period of abstract works followed
1993
my family and I moved to Mechernich, Eifel. There I built a studio and since then I work as a freelance painter
My development led me from the Impressionismus across the Pointilismus to the Neo-Impressionismus and after this I created my own palette knife technique, named by myself “Sectorismus”. A period of abstract works followed
My development led me from the Impressionismus across the Pointilismus to the Neo-Impressionismus and after this I created my own palette knife technique, named by myself “Sectorismus”. A period of abstract works followed
2015
I developed from my experiences with the preceding used painting techniques in the Contemporary Landscapes Painting a modern technique called “Ölpixel-Technik”. The individual interpretation of the landscape is my aim and with this technique new autonomous harmonies which exist parallel to nature are possible to portray
Especially the elements air, earth and water are the basis of my work.
2015
I developed from my experiences with the preceding used painting techniques in the Contemporary Landscapes Painting a modern technique called “Ölpixel-Technik”. The individual interpretation of the landscape is my aim and with this technique new autonomous harmonies which exist parallel to nature are possible to portray
Especially the elements air, earth and water are the basis of my work.
Tom Krey und seine Frau
90 x 90 cm Farbtuben-Collage
For the annual exhibitions of the Europäische Vereinigung bildender Künstler, EVBK, since 1996 18 acceptances from the international jury
From 1996 until now over 130 exhibitions and also participations at international exhibitions, such as in Spain, Italy – Vatican –, France, Belgium, Luxembourg and in the Netherlands
Works in private and public possession
Literature: Art catalogues of the Europäische Vereinigung Bildender Künstler, EVBK, Prüm